Reflecting his broad range of subject matters, Gregor Kregar's oeuvre encompasses an extensive and unique array of media that ranges from stainless steel, glazed porcelain, lambda print photography, and found objects such as recycled timber and neon lighting, that inevitably make the audience question their role as the viewer. While such works as Pygg Bank Project (2005-2006), and the Matthew 12:12 RWC series (2011) play on the artist's role in a national and international cultural identity, his more recent work such as Fragmented Illuminations (2013) sees a refreshing and challenging take on audiences' preconceptions of what constitutes 'good' and 'successful' architecture.