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Gow Langsford Gallery

Gow Langsford Gallery

Artists

About

Frank_2012

Dale Frank

b.1959, New South Wales, Australia
Lives and works in Victoria, Australia

Using materials that range from conventional paints to combinations of liquid detergent and molten aluminium, Dale Frank’s paintings are as much about the painting process as they are the finished work. Liquid substances are often poured onto Frank’s canvases which are tilted during the drying process. The resulting visceral uneven surfaces draw attention to the physical making of the painting. Some works take many months to fully dry, thus can be considered to be in flux as the composition and appearance of the painting evolves over a period of months.  His paintings often have a sexual and biological quality which is frequently reiterated by the artist’s choice of title. While many of these paintings appear wholly abstract, they frequently offer the illusion of an image.  The physicality of the materials acts as a catalyst to trigger visual associations, encouraging the eye to scan back and forth between abstraction and depiction. 

To view available works by Dale Frank please click here.

Selected solo Exhibitions

2012 Devon is my favourite luncheon meatGow Langsford Gallery, Auckland
2011 Dale Frank, Gow Langsford Gallery, Auckland 
2010 Ice Age, Roslyn Oxley9 Gallery, Sydney
2009 Miscellaneous, Roslyn Oxley9 Gallery, Sydney
The Big Black Bubble, Anna Schwartz, Melbourne
2008  Dale Frank, Gow Langsford Gallery, Auckland 
Some Boring Paintings, Roslyn Oxley9 Gallery, Sydney
2006  Dale Frank, Gow Langsford Gallery, Auckland 
Dale Frank, Roslyn Oxley9 Gallery, Sydney
2005 Bendigo Art Prize Exhibition, Bendigo
Schubert Gallery, Gold Coast
Frieze Art Fair (Schwartz Gallery), London
2004  Recent Paintings, Gow Langsford Gallery, Auckland
Roslyn Oxley9 Gallery, Sydney
2003  Dale Frank, Studio Foyer Exhibitioins, Sydney Opera House, Sydney
New Paintings, Anna Schwartz Gallery, Melbourne
Views From The Bruce Highway, Roselyn Oxley9 Gallery, Sydney
2002 Resisting Colour, Gow Langsford Gallery, Sydney, Australia
2001 Gow Langsford Gallery, Auckland, New Zealand
Roslyn Oxley9 Gallery, Sydney, Australia
Multistylus Program, Auckland City Gallery, Auckland, New Zealand
Low-down, Monash University Gallery,  Melbourne, Australia
Desire, RMIT Gallery, Royal Melbourne Institute of Technology, Melbourne, Australia
2000 Dale Frank, Ecstasy 20 Years of Painting, Museum of Contemporary Art,  Sydney, Australia curated by Sue Cramer
Dale Frank, Art Gallery of NSW, Sydney, Australia
Roslyn Oxley9 Gallery, Sydney, Australia
Anna Schwartz Gallery, Melbourne, Australia
Miss Junior Gin Gin Showgirl, Dale Frank (and Adam Cullen), Hazelhurst
Regional Gallery, Sydney, Australia
Galerie Albert Baronian, Brussels
1999 Roslyn Oxley9 Gallery, Sydney, Australia
Karyn Lovegrove Gallery, Los Angeles
1998 Gin Gin Paintings, Bundaberg Art Gallery, (touring), Toowoomba Regional Gallery, Tamworth City Gallery), Australia
Roslyn Oxley9 Gallery, Sydney, Australia
Unseen New York Paintings 1985-86, Alderton Gallery, Brisbane
Anna Schwartz Gallery, Melbourne, Australia
1997 Gow Langsford Gallery, Auckland (touring Govett-Brewster Gallery, New Plymouth; Wellington City Gallery, Wellington, New Zealand
Movie Show, Roslyn Oxley9 Gallery, Sydney Anna Schwartz Gallery, Melbourne, Australia
1996 Roslyn Oxley9 Gallery, Sydney, Australia
Teststrip Gallery, Auckland
Bellas Gallery, Brisbane, Australia
Centre for Contemporary Photography, Melbourne, Australia
Disco-Behaviouralism, Upper Roma Street, Brisbane (VOLT, Brisbane Festival) 
Pool Hall, Institute of Modern Art, Brisbane, Australia
Roslyn Oxley9 Gallery, (photography) Sydney, Australia
Perfumed Lotus, Room 117, Asia Pacific Hotel, Art Fair, Brisbane, Australia
1995 Bellas Gallery, Brisbane, Australia
Sculpture Performance, Roslyn Oxley9 Gallery, Sydney, Australia
Dale Frank/Scott Redford (collaboration), ISNT Gallery, Brisbane, Australia
Karyn Lovegrove Gallery, Melbourne, Australia
1994 Karyn Lovegrove Gallery, Melbourne, Australia
Project Space, Level 2, Art Gallery of New South Wales, Sydney, Australia
Sherman Galleries Goodhope, Sydney, Australia
Private Viewing, Hugh Jamieson Collection, Bilpin, NSW, Australia
Jack Shainman Gallery, New York, USA
Wollongong City Gallery, Wollongong, NSW (Drawing Retrospective, 1980-1994) , Australia
Unseen 1984 Exhibition, Karyn Lovegrove Gallery, Melbourne, Australia
Satellite of Love, Canberra Contemporary Art Space, (in association with the National Gallery of Australia, 'Virtual Reality'), Canberra, Australia
1993 Solander Gallery, Canberra, Australia
Bellas Gallery, Brisbane, Australia
Monash University Gallery, Monash University, Melbourne (Drawing Retrospective, 1980-1992) , Australia
Perth Institute of Contemporary Art, P.I.C.A., Perth (Drawing Retrospective 1980-1992) , Australia
Sherman Gallery Goodhope, Sydney, Australia
UNFAIR, Cologne
Galerie Albert Baronian, Brussels
1992  Newcastle Regional Gallery, Newcastle (collaboration with John Coburn)
Roslyn Oxley9 Gallery, Sydney, Australia
Contemporary Art Centre of South Australia, Adelaide, Australia
Nolan Gallery, Canberra (collaboration with John Coburn), Australia
Karyn Lovegrove Gallery, Melbourne, Australia
The Villa Verte, Kuala Lipis (Kuala Lumpur),Malaysia
Roslyn Oxley9 Gallery, Sydney, Australia
1991 Roslyn Oxley9 Gallery, Sydney, Australia
Institute of Modern Art, Brisbane (collaboration with John Cobum)
Tamworth City Gallery, Tamworth, Australia
Deutscher Brunswick Street, Melbourne, Australia
1990 Milburn+Arte, Brisbane, Australia
Deutscher Brunswick Street, Melbourne, Australia
Roslyn Oxley9 Gallery, Sydney, Australia
Sculptures and Constructions, Milburn, Brisbane, Australia
1989 Milburn+Arte, Brisbane, Australia
Roslyn Oxley9 Gallery, Sydney, Australia
1988 Jack Shainman Gallery, New York, USA
Milburn+Arte, Brisbane, Australia
Mori Gallery, Sydney, Australia
Realities Gallery, Melbourne, Australia
E.M.R. Gallery, Sydney, Australia
1987 Studio Marconi, Milan, Italy
Musee de Arte Modern di Ville Liege, Liege; curated by Albert Baronian
Marianne Deson Gallery, Chicago
Realities Gallery, Melbourne
Mori Gallery, Sydney
1986 Massimo Audiello Gallery, New York
Galerie Polynero, Antwerp
Galerie Albert Baronian, Brussels
Triagono Modern Arte, Nola (Naples)
Roslyn Oxley9 Gallery, Sydney
1985 Palais Des Beaux-Arts (Galerie Albert Baronian), Brussels
Galerie Barbara Farber, Amsterdam
Roslyn Oxley9 Gallery, Sydney
Canberra School of Art Gallery, Canberra
Studio d'Art Cannaviello, Milan
1984 Studio d'Art Cannaviello, Milan
Roslyn Oxley9 Gallery, Sydney
University Gallery, Melbourne
Institute of Modern Art, Brisbane
Monique Knowlton Gallery, New York
1983 Museum Fodor, (Stedelijk Museum), Amsterdam
Roslyn Oxley9 Gallery, Sydney
1982 Galerie Tanit, Munich
Perspective 12/82, International Kunstmesse, Basel
Roslyn OxIey9 Gallery, Sydney
Severina Teucher Galerie, Zurich
1981 Acme Art Gallery, London
PS.1. Gallery (Project Studio One), New York
Praxis Gallery, Perth
Fernando Pellegrino Galerie, Bologna
1980  Project Art Gallery, Dublin
Young Artists Club, (FMK), Budapest
Galerie Sixto Notes, Milan
1979  Experimental Art Foundation, Adelaide

Selected Group Exhibitions

2010 17th Biennale of Sydney: The Beauty of Distance, Songs of Survival in a Precarious Age
2008 Contemporary Australia - Optimism, Gallery of Modern Art l Queensland Art Gallery, Brisbane
Neo-Goth: Back in Black, The Art Museum, University of Queensland, curated by Alison Kubler
Spring Catalogue ExhibitionGow Langsford Gallery, Auckland
2007 The Year in Art, S.H. Ervin Gallery, Sydney
Strange Cargo: Contemporary Art as a State of Encounter, Newcastle Region Art Gallery, Broken Hill Regional Art Gallery, Bendigo Art Gallery, Orange Regional Gallery, Wagga Wagga Art Gallery, Tweed River Regional Gallery
Parallel Lives: Australian Painting Today, Tarrawara Biennial, Tarrawarra Museum of Art, Healesville, Victoria
2006 Before the Body-Matter, Monash University Museum of Art, Melbourne
2005 Frieze Exhibition, Gow Langford Gallery, Auckland 
Drawing Centre, curated by Ross Woodrow, Newcastle Region Art Gallery, NSW, Jan-Mar 2005
Winner-The Arthur Guy Memorial Painting Prize 2005, Bendigo Art Gallery, Victoria
2004 Auto Fetish: Mechanics of Desire, curated by Nick Mitzevich, Newcastle Region Art Gallery, Newcastle, New South Wales
Swoon, Australian Centre for Contemporary Art (ACCA), Melbourne
Three-way abstraction, MUMA Monash University Museum of Art, Melbourne
Selected Contemporary Art, Maragret Moore and Anna Scwartz Gallery, Perth
2003 The Year in Art, S.H Ervin Gallery, Sydney
In Conversation, The VanVliet Collection of International Contempoary Art with artworks from the collection of the University of Queensland, University Art Museum, University of Queensland, Brisbane
On the Beach with Whiteley, Brett Whiteley Studio, Sydney
Field Work: Australian Art 1968 - 2002, National Gallery of Victoria, Federation Square
2002 Dirty Dozen, Roslyn Oxley9 Gallery, Sydney
Sublime: 25 Years of the Wesfarmers Collection of Australian Art, Art Gallery of Western Australia, Perth, Western Australia
The First Twenty Years, Roslyn Oxley9 Gallery, Sydney
Other Views: An Exhibition from the Griffith Univeristy Art Collection, Griffith University,     Nathan, Queensland
2001 low-down, Monash University Gallery, Monash University, Melbourne
Multistylus Program, Auckland City Gallery, Auckland
Desire, RMIT Gallery, Royal Melbourne Institute of Technology, Melbourne
2000  Monochromes, University Art Museum, The University of Queensland, Brisbane
1999  Moral Hallucinations: Channelling Hitchcock, Museum of Contemporary Art, Sydney, curated by Edward Colless
Geelong Contemporary Art Prize (winner), Geelong Art Gallery
Funk de Siecle, Museum of Modern Art Heide, Melbourne, curated by Murray White
Exploratory Behaviour: Contemporary Art from the Permanent Collection, National Gallery of Victoria, Melbourne
Molecular Reality, Experimental Art Foundation, Adelaide, curated by Christopher Chapman
1998 Mercant Collection, Sherman Galleries (Hargrave), Sydney Art 29'98, Basel Art Fair, Switzerland
The Female Form Divine, Monash University Gallery, Melbourne
Blue, Annandale Galleries, Sydney
Group Show, Alderton Gallery, Brisbane
1997 Art 28'97, Basel Art Fair, Switzerland
Art Forum Berlin, Berlin Art Fair, Germany
It's a Guitar Shaped World III, Tamworth City Gallery, Tamworth
NOW, Bellas Gallery, Brisbane
Dead Sun, Art Gallery of New South Wales, Sydney, curated by Mike Parr
Ambient (Male) Identity, Contemporary Art Centre of South Australia, curated by Christopher Chapman
1996 Hidden Treasures II. Art in Corporate Collections, S.H. Erwin Gallery, Sydney
Adelaide Biennale of Australian Art, Art Gallery of South Australia,  Adelaide, curated by Christopher Chapman
Art 27'96, Basel Art Fair, Switzerland
New Additions, Monash University Collection, Monash University, Melbourne
Sweet & Sticky, Bundaberg Arts Centre; curated by Jane Gallagher
Australia: Familiar and Strange, Seoul Arts Centre, Korea; curated by Timothy Morrell
lmants Tillers. Dale Frank. Geoff Lowe. Robyn Stacy, Karyn Lovegrove Gallery, Melbourne Cologne Art Fair, Cologne, Germany
1995 Group Exhibition, Roslyn Oxley9 Gallery, Sydney
Aspects of Australian Printmaking 1984-1994, National Gallery of Victoria, Melbourne Christmas Show, Peter Bellas Gallery, Brisbane
Group Exhibition, Karyn Lovegrove Gallery, Melbourne
Out of the Analogue, Plimsoll Gallery, Hobart; curated by Leigh Hobba
1994 McCaughey Prize Exhibition. National Gallery of Victoria, Melbourne
25 Years of Performance Art in Australia. Ivan Dougherty Gallery, Sydney (touring), curated by Nick Waterlow
Faces of Hope. Art Gallery of New South Wales, Sydney
Virtual Reality. 1st Biennale of Contemporary Art, National Gallery of Australia, Canberra, curated by Mary Eagle
1993 Wit's End. Museum of Contemporary Art, Sydney; curated by Kay Campbell
Rad Scunge. new art from Sydney, Karyn Lovegrove Gallery, Melbourne, curated by Dale Frank
Dale Frank. lmants Tillers. John Young, Sherman Goodhope Gallery, Sydney
Summer Show. Jack Shainman Gallery, New York
Human National Gallery of Australia, Canberra, (video installation), curated by Christopher Chapman
1992 The Hypothesis of Imitation, Sutton Gallery, Melbourne; curated by Rex Butler
Courts and Jesters, Ars Multiplacata Gallery, Sydney; curated by Jeff Gibson Prolepsis, National Museum of Art, Kuala Lumpur; curated by Redza Niza- Tan
Medium Density: Contemporary Australian Drawings and Photographs, Australian National Gallery, Canberra
1991 Selected Contemporary Australian Artists, Deutscher Brunswick Street, Melbourne Banal Art, Artspace, Sydney; curated by Rex Butler
The Hypothesis of Imitation, Bellas Gallery, Brisbane; curated by Rex Butler
The History of the Electronic Page, Institute of Contemporary Art (ICA), Amsterdam; curated by Paul Groot
Cross Currents, Contemporary New Zealand and Australian Art from the Chartwell Collection
1990 Group Show, Roslyn Oxley9 Gallery, Sydney
8th Biennale of Sydney, Art Gallery of New South Wales, Sydney; curated by Rene Block
Australian Contemporary Art Fair 2, Royal Exhibitions Buildings, Melbourne Greenpeace Benefit Exhibition, Linden Gallery, Melbourne
100 Artists Against Animal Experimentation, Deutscher Brunswick Street, Melbourne Vache, Site Gallery, Brisbane
1989  I.C.l. Contemporary Art Collection, Australian Centre For Contemporary Art,Melbourne; Ballarat Fine Art Gallery (touring) Group Show, The University of South East Queensland, Toowoomba Australian Art Post 1960, Deutscher Gertrude Street, Melbourne
Cosmos, City Gallery, Melbourne
1988 15 Years Galerie Albert Baronian, Museum International Cultureel Centrum, Antwerp
Advance Australian Painting, Auckland City Art Gallery, Auckland; Robert McDougall Art Gallery, Christchurch
Australian Drawing. Australian National Gallery, Canberra
The New Generation (1983-1988) Phillip Morris Arts Grant Purchase, Australian National Gallery, Canberra
Irony, Humour and Dissent, Manly Art Gallery and Museum, Sydney; curated by Alison Carroll 1987
Primal Painting, Heide Park Art Gallery, Melbourne
The Australian Exhibition, Frankfurter Kunstverein, Frankfurt; Wuttembergische Kunstverein, Stuttgart
What Is This Thing Called Science, The University Gallery, Univeristy of Melbourne, Melbourne
Australian Contemporay Drawing, Heide Park and Art Gallery, Melbourne
Group Show, Jack Shainman Gallery, New York Backlash: Australian Drawing Revival 1976-1986, National Gallery of Victoria, Melbourne
Milano + 12 ,OSAON Centro di Arte Contemporanea, Milan
1987 Primal Painting, Heide Park Art Gallery, Melbourne
Nature Re-defined, Galerie Segal-Steinberg, Montreal
Documentation, Danial Newburg Gallery, New York
Drawings, 56 Bleeker Street, New York
The Australian Bicentennial Perspecta, Art Gallery of New South Wales, Sydney
Art Gallery of Western Australia, Perth
15 Years Galerie Albert Baronian, Museum International Cultureel Centrum, Antwerp
1986 Everyman, Zurich Forum (Barbara Farber Gallery), Zurich
New Generation, 5 Painters from New York, Segel Steinberg Gallery, Montreal
New Purchases, Recent European Art. Museum of Modern Art, Chicago
Forbidden Objects, Roslyn Oxley9 Gallery, Sydney
1985 Dale Frank/Roberto Agus. Unimedia Galerie, Geneva
Australian Visions, Queensland Art Gallery, Brisbane, Art Gallery of New South Wales, Sydney, Art Gallery of Western Australia, Perth; curated by Diane Waldman
Doppelganger/cover, Aorta Gallery, Amsterdam; curated by Paul Groot
Nuove Trame dell'Arte, Castello Genazzano, Rome, curated by Achille BonitoOliva
Anniottanta, Chiostri di San Domenico, Imola (Museum of Modern Art, Bologna); curated by Renato Barilli, Flavio Caroli
Master Drawings, Galerie Barbara Farber, Amsterdam
Rondo, 2nd Rassenga lntemazionale d'Arte, Antichi Arsenali, Amalfi; curated by Gaspare Russo
1984 Fremantle Drawing Exhibition. Fremantle Arts Centre, Fremantle; curated by Christa Johannes
Form>lmage>Sign, Art Gallery of Western Australia, Perth; curated by Tony Bond
Dreams & Nightmares, Roslyn Oxley9 Gallery, Sydney
Aperto 84, Arte e Arti: Attualita e Storia', Biennale of Venice; curated by Flavio Caroli & John Roberts
Symbol, Emblem and Signature. Govett- Brewster Gallery, New Plymouth; curated by Jennifer Phipps
Recent Australian Art - An American Perspective, Solomon R. Guggenheim Museum, New York, curated by Diane Waldman
Inspirit, Monique Knowlton Gallery, New York; curated by Garry Nichols 
1983 Panorama della Post - Critica, Musei Palazzo Lanfranchi, Pisa, Italy; curated by Achille Bonito Oliva (with Thomas Lawson & Anselm Kiefer, invited by Helena Kontova)
Tall Poppies, Melbourne University Gallery, Melbourne, curated by Paul Taylor
Perspecta 83, Art Gallery of New South Wales, Sydney; curated by Bernice Murphy
End of Civilization. Part II, Ewing Gallery, Melbourne; curated by Vivian Shark-LeWitt
Place, Gimpel Fils Gallery, London; curated by Caryn Faure-Walker
De Goddeliik Komedie (The Divine Comedy), Galerie t'Venster,Rotterdam and Bonnefantan Museum, Maastricht; curated by Paul Groot
Faces and Portraits from Life, Heide Park Gallery, Melbourne
D'un Autre Continent, ARC2, Musee d'Art Modern de Ia ville de Paris; curated by Suzanne Page
Recent Australian Painting, Art Gallery of South Australia, Adelaide
Drawings, Art Projects, Melbourne
Vox Pop, National Gallery of Victoria, Melbourne
Michelle Foundation Collection, National Gallery of Victoria, Melbourne
1982 4th Biennale of Sydney, Art Gallery of New South Wales, Sydney; curated by William Wright 
Muswellbrook Art Prize, Muswellbrook, (winning entry, Bernice Murphy, Judge)
White and Black Drawings, Willard Gallery, New York 
1981 Les Oeuvres Plastigues Exposition, Espace Lyonnais d'Arte Contemporain, Lyon, France; curated by Marie Claude-Jeune
April Show, P.S.1. (Project Studies One), New York
Anzart, Robert McDougall Art Gallery, Christchurch; curated by Ian Hunter
1980 Post 80's Video, Action Space Gallery, London
Proiect Art Gallery, (Spring Program), Dublin
1979 Sydney Biennale 'Alternatives', Sculpture Centre, Sydney
Nexus: 4 Artists, Triskel Art Gallery, Cork 
1978 Ten Contemporary Sculptors. State Office Block, Sydney
La Trobe University Sculpture Festival La Trobe University Art Centre, Melbourne 
1977 Mildura Sculpture Triennale, Mildura Arts Centre, Mildura
Contemporary Art Society Exhibition. Paddington Town Hall, Sydney 
1976  Four Painters, Cooks Hill Gallery, Newcastle
1975  Wynne Exhibition, Art Gallery of NSW, Sydney
Maitland Bradmill Painting Prize, (winning entry), Maitland, Australia (Syd Ball, Judge)
Contemporary Art Society Exhibition, Hogarth Gallery, Sydney
1974 Red Cross Art Prize, Sydney, (winning entry - John Olsen, Judge)

Selected Public Collections

ABN Amro, Sydney
Boston Museum of Fine Art, Boston, USA
Zurich Kunsthaus, Zurich
Exxon Corp. Collection, New York, USA
Ball State University Collection, Indiana, USA
Solomon R. Guggenheim Museum, New York, USA
Musee de ViIIe de Leige, Leige
Trans-Art Collection, Milan
First National Bank of Chicago Collection, Chicago
Westpac Collection, New York
Allen Allen and Hemsley Collection, Sydney
University of Melbourne Collection, Melbourne
Tamworth City Gallery Collection, Tamworth
National Gallery of Victoria, Melbourne
National Gallery of Australia, Canberra
Art Gallery of New South Wales, Sydney
Art Gallery of South Australia, Adelaide
Art Gallery of Western Australia, Perth
Queensland Art Gallery, Brisbane
National Gallery of New Zealand, Wellington
Auckland City Gallery, Auckland
Perc Tucker Regional Art Gallery, Townsville
Wollongong City Art Gallery, Wollongong
Burnie Municipal Gallery, Burnie
Griffith University Collection, Brisbane
Darwin Institute of Technology Collection, Darwin
Newcastle Regional Art Gallery, Newcastle
Museum of Contemporary Art, Sydney
Philip Morris Collection, Canberra
IBM Collection, Melbourne
Shell Australia Collection, Melbourne
BP Collection, Melbourne
Monash University Collection, Melbourne
Chartwell Collection, Christchurch, New Zealand 

Private Collections

Hugh Jamieson Collection, Sydney
Smorgon Family Collection, Melbourne
Jim Wolfensohn Collection, New York
Clayton Press Jnr Collection, Los Angeles
As well as numerous private collections in: Amsterdam, Antwerp, Brecia, Brisbane, Brussels, Budapest, Chicago, Cologne, Dallas, Dublin, Dusseldorf, Haarlem, Houston, Leige, London, Los Angeles, Melbourne, Milan, Montreal, Munich, Naples, New York,
Palermo, St GaIlen

Selected Bibliography

2008 Ashley Crawford, `Dale Frank, The Story So Far,' Art World, Issue 1, Feb/Mar, pp. 42-46 
2007 So Far: The Art of Dale Frank, 1980-2005, Schwartz Publishing, Melbourne (440 pages) 
Sebastian Smee, `Into the twilight zone,' The Australian, 31 March - April 1 2007, pp.18-19 
2006 Before the Body-Matter, exh. Cat., Monash University Museum of Art, Melbourne 
Terry Ingram, `Frank identified as Australiana buyer', The Australian Financial Review, Thursday, 23 November 2006, p.19 
Danika Jones, `To be Frank', Vogue Living, May/June 2006, pp.162 - 175 
Tracey Clement, `Preview: Dale Frank, Roslyn Oxley9 Gallery, 4 - 24 May 2006', Australian Art Collector, Issue 36, April - June 2006, p.217 
2005 Timothy Morrell, `Previews QLD, Dale Frank', Art Galleries Schubert, Australian Art Collector, Issue 33, July-September p.245 
Annette Larkin, Justin Miller and Damian Hackett, `going, going, gone…', Three auction house experts reveal their top 10 favourite Australian artists to watch…,' Vogue Living, May-June, pg.110 Richard Kalina, `Report from Downunder: Down Under no more', Art in America, April 2005, pg.77 
Nick Mitzevich and Ross Woodrow, Drawing Centre, exh. cat., Newcastle Region Art Gallery, Jan - March 
Jane Rankin-Reid, `Dale Frank,' Australian Art Collector, Issue 31, January-March, pg.89 
Sebastian Smee, `Competitors help regional painters to make their mark,' The Australian, 31st January 
2004 Ingrid Woodrow, Auto Fetish, exh. cat., Newcastle Region Art Gallery, Nov 04 - Jan 05, 
Jane Rankin-Reid, `Dale Frank's conceptual abstraction,' Art & Australia, vol.42 no.2, Summer, p.211-214
Ashley Crawford, `Dale Frank' (feature), Art & Australia, Vol.42 No.2, Summer, p. 207 
Andrea Tu, `Swoon,' Broadsheet Contemporary Visual Arts & Culture, vol. 33 no.3, September - November, CACSA, p.58 
Ihor Holubizky, `Dale Frank,' Australian Art Collector, issue 29, July - September, p.183 
Dominique Angeloro, `Tag-team smackdown,' Sydney Morning Herald (Metro), Jun 4 - 10, p.26 
Alex McDonald, `The Dead Zone,' State of the Arts (Reviews), June 
`Smells like Victory,' The Art Life, http://artlife.blogspot.com/, 11 June 
Michael Walters, `Eclectic Dreams,' Belle, 30th Anniversary Issue, April/May, p.186-191 
2003 Ewen McDonald, `The ever-expanding field,' Monash University Collection: Four Decades of Collecting, ed. Jenepher Duncan and Linda Michael, Monash University and Monash University Museum of Art, Victoria, p.32 - 36 
`Dale Frank,' Blaze: Visual Art Writing from the Contemporary Art Centre of South Australia 1990 - 2002, CACSA, Adelaide, p.24 
Anne Loxley, `Gems behind the verbiage,' Sydney Morning Herald (Metropolitan), Wednesday, April 9, p.14 
Lenny Ann Low and Peter Hill, `Grin and bare it,' Sydney Morning Herald, Weekend Edition, April 12 - 13, p.12 
2002  Ashley Crawford, Australia ARCO 2002, (catalogue), Art & Australia, pp 11,13
2001  Simon Rees, 'Dale Frank', (review), Art Text, Los Angeles, no 75, November, pp 80
T.J. McNamara, 'Potshot at the critic is part of the serious game of looking', (review), The New Zealand Herald, Auckland, April 9
2000  Editors, 'Australia's 50 Most Collectable Artists,' Australian Art Collector, Sydney, Issue 11, January-March, pp 65.
Sue Cramer, 'The Painter of These Paintings is Either Dale Frank, Or If Not Dale Frank, Someone Else of the Same Name,' (interview with Dale Frank) Dale Frank, Ecstasy Twenty Years Of Painting. (catalogue) Museum of Contemporary Art, MCA, Sydney, pp 3-19
Christopher Chapman, 'DFX4,' (article), Dale Frank. Ecstasy Twenty Years Of Painting. (catalogue) Museum of Contemporary Art, MCA, Sydney, pp 20-25.
Elizabeth Fortescue, 'Varnishing act' (article), The Daily Telegraph, Sydney, February 4, pp 119.
Timothy Morrell, 'very Frank,' (article), The Eye, Sydney, Vol 2 No 2, February 10, pp 70-73
Giles Auty, 'Title fright,' (review), Arts Review, The Weekend Australian, Sydney, February 12 - 13, pp. 19
Bruce James, 'To Be Earnest, It's Far From Frank', (review), The Sydney Morning Herald, Arts, Sydney, February 26, pp. S14
Annette Hughes, 'The Ecstasy of St Frank,' (article) HQ Magazine, Sydney, No 69, March - April, pp 28.
Andrew Frost, 'Australia's 50 Most Collectable Artists,' Australian Art Collector, Issue 7, Jan-Mar, pp 27-64 (35)
1998  Michael Newall, 'ambient (male) identity,' (review), Eyeline, Brisbane, No. 35, p 41
Linda Michael, Bernice Murphy, Ben Curnow, The MCA Collection: The Loti and Victor Smoraon Gift of Contemporary Australian Art, (publication), Museum of Contemporary Art, Sydney, pp 32, 60-61, 104
Jeff Gibson, 'Dale Frank,' (review), Flash Art (international). Milan, March-April, no 223
Peter Timms, 'Frankly, he gives a damn,' (review), The Age, Melbourne, June 24
Christopher Chapman, 'Dale Frank: Cool Cosmic World,' (catalogue), Anna Schwartz Gallery, Melbourne, June
Ken Lord, 'Encore... people,' The Sunday Mail, Brisbane, July 5, p 81
Rex Butler, 'Frank exploration of the importance of being outrageous,' (review), The Courier-Mail, Brisbane, (arts weekend 12) July 11, p 12, 1997 
Rex Butler, 'Eyes Closed in Dale's Disco', Like, No 2, March, pp 14-17
Christopher Chapman, 'Abstract Identity', Broadsheet, Adelaide, vol 26, no 1, Autumn, pp 6- 7
Dale Frank, 'Only the Lonely,' MONICA, Auckland, New Zealand, Summer 97, pp14-15
Robin Neate, 'Big Art Moments,' MONICA, Auckland New Zealand, Summer 97, pp 43
Virginia Trioli, 'A sign of the times," The Age, Metro Arts, Melbourne, 19 March
Robert Nelson, 'Tantrums and goo: the mark of bad-boy art,' (review), The Age, Melbourne, 19 March
Christopher Chapman, 'Molecular Reality,' (catalogue), Dale Frank New Zealand tour, Govett Brewster Art Gallery, New Plymouth, New Zealand
Lindsay Shonagh, 'Art that oozes talent,' (review), Sunday Star-Times, Auckland, NZ, July 20, p 8
'Extreme Close-Up,' Listener (review), Auckland, NZ, July 12 p 41
'Brisbane-based artist extends the boundaries,' Daily News, (review), Auckland, NZ, June 17
Matthew Bannister, 'What's On,' North and South Magazine, July issue
TJ Macnamara, 'Painting by Numbers,' Perspective on Art, NZ Herald (review), August 1
Michael NewalI, 'Michael Newall Interviews Christopher Chapman,' Broadsheet, Adelaide, Vol 24 No 4, Summer, pp 14-15
Suzanna Treister, 'New Aussie Boys,' (review). Broadsheet, Adelaide, Vol 24, No 4, Summer, p 18
Christopher Allen, Art in Australia From Colonization to Postmodernism, Thames and Hudson, London, p 212
1996  Bruce James, 'Galleries', (review), The Sydney Morning Herald, September 13
Peter Ward, 'The State of the Arts - What's Hot in '96', (article), The Australian, 6-7 January, pp 20-22
Christopher Chapman, Adelaide Biennale of Australian Art, (catalogue), Art Gallery of South Australia, Adelaide, March, pp 14, 60-61, 102-103, 136
Dale Frank, (photo spread), Art + Text, Sydney, No. 53, January, pp 44-45
Peter Ward, 'On-the-edge Biennale for an age of anxiety', (review), The Australian, 5 March, pp 12
Joanna Mendelssohn, 'Dale Frank', (review), The Australian, 22 March, pp 10
Bruce James, 'Chapmans Casper, (review), Broadsheet, Adelaide, vol 25, no. 2, Winter, pp 21
Robyn McKenzie, 'Scratching the surface of intrigue', The Age, 28 June, Melbourne, pp 21
Tessa Laird, 'Frank (Social Realism)', (review), MONICA, issue 3, Auckland, New Zealand, pp 28
Kit Messham-Muir, 'Dale Frank: Social Realism', (review), Eyeline, no. 31, Spring, pp 44-45
 Tessa Laird, 'Frank and Redford (Social Realism) Dale and Scott' (review) Monica, August/September
Dale Frank, 'And Where to Now - Reality and Art,' paper delivered at Volt Symposium, Institute of Modem Art, Brisbane, 5 September
Christopher Chapman, 'Room Service,' (review), Broadsheet, Adelaide, Summer 96/97, Vol 25 No 4, pp 23
William McAloon, 'The Self and Other Inventions,' The Chartwell Collection, (catalogue) Auckland City Gallery, Chartwell Collection exhibition, Auckland, New Zealand
Bernard Freedman, 'Virtual reality confuses', Australian Jewish News, Sydney, 6th January, 1995.
Sonia Barron, 'Viewers are deliberately victimised', (review), The Canberra Times, Canberra,13 January, 1995, pp.12
Charles Green, Peripheral Vision - Contemporary Australian Art (publication), Craftman House Publishers, Sydney, pp 36-37
Robert Lindsay, The Shell Collection of Contemporary Australian Art (catalogue), Melbourne, pp36-37
1994  Christopher Chapman, 'Dale Frank: Reclining Nude', National Gallerv News, January-February, Canberra, p.16
John McCaughey Memorial Art Prize, (catalogue), Gallery, National Gallery of Victoria, Melbourne, February, p.20
Susan McCulloch, 'Finding the Art of the Matter, (review), Herald Sun Melbourne, March 30th
Christopher Heathcote, 'Dunlop drives his one formula', (review), The Age. Melbourne, March 30th
Nick Waterlow, 25 Years of Performance Art in Australia, (catalogue), Ivan Dougherty Gallery, Sydney, June, pp.6, 27, 62, 64
Elwyn Lynn, 'Curious kinships of myth and man', (review), The Weekend Australian. June 18-19, pp. Review 13
Anthony Bond, 'Dash and Daring: The Work of Dale Frank', Look Magazine, Art Gallery of New South Wales, Sydney
Christopher Chapman, Dale Frank: It's a Rush, (catalogue, Art Gallery of New South Wales, Sydney
John McDonald, 'This time it's not the Poms whinging', The Sydney Morning Herald, 23 July, ppl3A
Elwyn Lynn, 'Touched by a cast of Thousands', (review), The Weekend Australian, 30-31 July, Review ppl3
Rex Butler, 'Nixon's Watergate', Agenda. #37, Melbourne, July, pp.9-12 
Christopher Chapman, 'Carnivorous Plants: Cultured Nature in Contemporary Art', Art & Australia, (article) Spring, Vol.32, No.1., Sydney, pp.92-97
Jeff Gibson, 'Dale Frank' (review), ~Sydney No.49, September, pp.73
Mary Eagle, Introduction, Virtual Reality, (catalogue), National Gallery of Australia, Canberra, December, pp.5
Christopher Chapman, 'Dale Frank and the Diamond Dogs', (article), Virtual Reality. (catalogue), National Gallery of Australia, Canberra, December, pp 46-47
Christopher Chapman, Satellite of Love, (catalogue), 'Reality Used to be a Freind of Mine', 'The Liquidity Problem and the Rush' (reprint AGNSW, 'It's a Rush', June 1994), 'Satellite of Love'
Canberra Contemporary Art Space, Canberra, December, 32 pages
Christopher Chapman, 'Conceptual Vertigo: New Object Art from Australia' (article), MIDWEST, Dunedin, New Zealand, Number Six, December, pp.31-35
Farah Farouque, 'Welcome to the National Gallery where shopping is an art, really', The Age, Melbourne, 9th December, 1994, pp.24
Bruce James, 'User-friendly artworks are a virtual reality', The Age, Melbourne 21 December,1994, pp.22
Bruce James, 'With a slip of the eye', Sydney Morning Herald. 21 December 1994, pp.16
Sonia Barron, 'Roads to nowhere and everywhere', (review), The Canberra Times, 23 December, 1994, pp27
Cohn Hood, 'Shop-soiled and Scintillating', (review), REALTIME, issue 4, December, 1994, pp.27
'Dale Frank', Artfan, Melbourne, Spring, No. 3 & 4, pp 35-36
David McNeiII, 'Virtual Reality', (review), Art + Text, Sydney, issue 51, 1995, pp.70-71
1993  Naomi Cass, 'Dale Frank', (review), Art + Text. No.44, Sydney, January, pp 82 Paul Foss, 'The Painters Dildo (Portrait of Dale Frank)', Wit's End
(catalogue), Museum of Contemporary Art, publisher, Sydney, January, pp.143-167
Catharine Lumby, 'Smiling Saboteurs: Irony and Contemporary Art', Wit's End. (catalogue), MCA publisher, Sydney, January, pp.11-29
Kay Campbell, 'Out of Humour, Wit's End (catalogue), MCA publisher, Sydney, January, pp.11-29
Sofia Barron, 'Showman or Shaman: a controversial artist", (review), Canberra Times, Canberra, March 3rd, Arts. pp.30-31
Kay Campbell, 'At Wit's End', Look Magazine, Art Gallery of New South Wales, Sydney, March, p20.
Ashley Crawford, 'The Orgasmic Alienation', (catalogue), Where Angels Fear to Tread. Drawings 1980-1992. Monash University Gallery, Melbourne, April, pp.3-7
Cathanne Lumby, 'The Engine of Irony', (catalogue), Where Angels Fear to Tread. Drawings1980-1992, Monash University Gallery, Melbourne, April, pp.8-14
Robert Rooney, 'Bad boy more of a bland boy', (review), The Australian, The Weekend Review, Sydney, May 8-9, pp.11
Jeff Gibson, 'Avant-Grunge', Art + Text, Sydney, No.45, May, pp.23-25
Graham Forsyth, 'Wit's Living End', (review), Art + Text, Sydney No.45, May, pp.26-29, 99.
'Wit's End', MCA Members Newsletter, Museum of Contemporary Art, Sydney, May-June, p.2
'Wit's End: The Uses of Irony' (screenings) MCA Members Newsletter, Museum of Contemporary Art, Sydney, May -June, p.9
Christopher Chapman, 'Dale Frank's Organicism' (review), Art Monthly Australia. Canberra,June 1993 pp.22-23
Lynn Fern, 'A hero aground', (review), The Sydney Morning Herald, June 4, p.24.
'A Frank Exchange', The Sydney Morning Herald, July 16
Elwyn Lynn, 'Various Aspects of Genius', (review), The Weekend Australian, July 23-24, p.13
Felcity Fenner, 'Electric Currents Flowing on Canvas', (review), The Sydney Morning Herald. July 31st, p.46
Christopher Heathcote, 'Art Striking but not a feature', (article), The Age, Melbourne, September 21st, p15
Dale Frank, UNFAIR (catalogue), Unfair 93', publisher, Cologne, Germany (Kim Machen Art)
Christopher Chapman, 'Dale Frank', World Art inaugural issue, Melbourne, November, pp.100-104
Graham Coulter Smith, 'Dale Frank' by Jane Magon, (book review), Eyeline. Brisbane, No.22 & 23, summer, pp.61-62
1992  Leanne Baxter, Tempo Notes', (review), Sun Herald, 19 January, p140
Jill Stowell, 'Elegant Abstracts Submerged in Paint', (review), Newcastle Herald, 21 January, p. 7
'Challenging Art at the Gallery', (review), Newcastle Herald - Trends, p.7
'Port Exhibit', (review), Newcastle Herald, 15 January, p.17
Graham Forsyth, 'Luscious Landscapes: Banal Beauties', Art + Text, No. 41, Melbourne January, pp. 41-45
Elwyn Lynn, 'Cringe Theory Gives Way to Admiration', The Weekend Australian, 14 March
Ken Bolton, "Short Rope enough to tie up the message", (review) Advertiser, Adelaide, April 8, (In the Galleries)
Chistopher Heathcote, "Melbourne", Art Monthly, Canberra, issue 49, May, pp 14-16
Rex Butler, "The Hypothesis of Imitation" (article) Ag~jj~, Melbourne, issue 23, May/June, pp 17-21
Rosahind Walker, "Dale Frank/John Coburn" (review) MUSE, Musecrits, July, pp 31
Jane Magon, Dale Frank Monograph, Craftsman House Publisher, Sydney, September. Hardcover 204 pages.
Jane Magon, The Sacred and the Profane, (article) Art & Australia, Sydney, Spring Issue, Vol 30, No 1 pp 92-95
Christopher Heathcote, "Dale Frank, not one of the old school, even yesterdays", (review) The Age, Melbourne, October 14 ppl4
Robert Rooney, "Frank on the coffee table", (review) Weekend Australian, Melbourne,October 17, Review pp l I
Elwyn Lynn, "Triumph of the smooth in the rough recessionary times", (review) Weekend Australian, Sydney, October 31. Review pp l I
Terence Maloon, 'It is a violence from within', (article), You Are Here, catalogue, IMA, publisher, Brisbane, November, pp40
1991  Elwyn Lynn, 'In or out of Race, its a minefield', (review), Weekend Australian, Sydney, 5 January, p Review 8
Jo Saurin, 'Reward of Sensual Pleasures', (review), The Sydney Morning Herald, Sydney, 22 March, p 12
Editors, Herald, Sydney, 23 March, p 50
Elwyn Lynn, 'Champs canvass art with punch', (review), The Weekend Australian, Sydney, 23 March, p8 Review
Michael Richards, 'Explosion of Paints Combines the Classical and Chaotic',(review),The Courier-Mail, Brisbane, 25 June, p 20
Adam Geczy, 'Banal Art', (review), Agenda, no 18, Melbourne, July p 16
Peter Hutchings, 'Banal Art', (review), Art + Text, Sydney, no 39, May, p 74
Bernard Smith and Terry Smith, Australian Painting 1788-1990, Oxford University Press, pp.531, 534, 539
Graham Forsyth, 'Dale Frank',(review), Art + Text, Sydney, no 40, September, pp 86-87
Wayne Hudson, Chiliasm, (catalogue), Institute of Modem Art, Brisbane, June, Bulletin
Rex Butler, Banal Art, (catalogue), Artspace, Sydney
Roslyn Oxley9 Gallery, Dale Frank, (catalogue), Koln Art Fair, November
Felicity Fenner, 'A more than frank exchange of views', (review), Sydney Morning Herald, 26 October, p 47
Rex Butler, The Hypothesis of Imitation, (catalogue), Bellas Gallery, Brisbane, October, pp 5-7
Bernice Murphy, 'The Power Collection; Development in the 1980s', Art and Australia, vol. 29, no.2, summer, Sydney. p.211
Robert Rooney, 'Bad Boy Ages Tastefully', The Australian, 23-24 November, p.6
Brian Phipps, 'Good Taste: Bad Taste', Oz Arts Magazine, Sydney, Issue 1, Spring, 1991 pp. 26-31
Marie Giessler, 'Collecting Art and Antiques', Oz Arts Magazine, Sydney, Issue 1, Spring, 1991 pp. 42-47
Elwyn Lynn, "No Claus for Santa but plenty of Anima" (Review) WeekendAustralian, Sydney, December 21, Review p 3
Bernard Smith/Terry Smith, Australian Painting 1788-1990, Oxford University Press, "Post Modern Plurality 1980-1 990", Chapter 16, pp 531, 534
1990  Ashley Crawford, 'A Chronicle of Australian Art 1980-1989', Tension 19,January
Arthur McIntyre, Contemporary Australian Collage and its Origins, Craftmans House Publishers, Sydney
Anna Johnson, 'Dale Frank', Interior Architecture and Design, no 22, pp 152-157
Catherine Lumby, 'Dale Frank - Fed-up with Art', (review), Art and Text, no25, Summer, pp 139-141
Jay Younger, 'Post Modernism - The Baby and the Bathwater', Broadsheet, Adelaide, vol 19, no 1, March, p 10
Rene Block, The Readymade Boomerang: Certain Relations in 20th Centurv Art, (catalogue), Sydney, 8th Biennale of Sydney, April, pp 458-459, 475
Jane Magon, 'Fame and the Art of Dale Frank', Dale Frank: Adieu, Melbourne, Deutscher Brunswick Street, June
Christopher Heathcote, "Martin and Frank", Art Monthly, June, ppl4
Dale Frank, "Just Imagine The Biennale sees you but you don't see it", Tension, No. 21, June Catharine Lumby, Dale Frank Adieu, (catalogue introduction), Deutscher 
Brunswick Street, June, p 3
Louise Neri, 'Block's Buster: Eros, C'est Ia vie, Cumulus From Australia', Parkett, Zurich, no 25, September, pp 143-49
Paul Groot, 'Sydney Biennale' (review), Flash Art, Milan, no 154, October
Sonia Harford, 'Arts bad boy takes on the system', (review), Sunday Herald, Melbourne, 24 June
Ronald Miller, 'Go south for gentle pleasures', (review), The Herald, Melbourne, 20 June
1989  Jane Magon, 'Dale Frank', (review), Eyeline, no 5, pp 32-33
A selection of 19th and 20th Century Art, (catalogue), Deutscher Fine Art,Melbourne, November, p 109, illustrated
Paul Groot, 'De kunstgeschiedenis is dood. Leve de kunstgesch-denis!: Pittoresk II', Museumiournal, Amsterdam, vol 34, no 2 & 3, pp 97-103
Dale Frank, (catalogue), Sydney, Roslyn Oxley9 GaIIery,July
William Wright and Robert Lindsay, ICI Contem~orarv Art Collection, (catalogue), Melbourne
Michael Richards, 'Europia from the Abstract' (review), The Courier Mail, Brisbane, 5 April
Carolyn Barnes, 'Cosmic Resistance', Agenda Contemporary Art, no 5, June, pp 3-5
Bob Linguard and Sue Cramer, Institute of Modern Art - 1975 to 1989: A Documentary History, lnstitute of Modern Art, pp 84, 121
Annette Cyr, 'Dale Frank', (review), 108 Review, New York, no 10, January, p 9
Elwyn Lynn, 'Carving Out Skill's Domain', (review), The Weekend Australian, 19 August, p 113
Christopher Allen, Satirising surfaces beneath face value', (review), The Sydney Morning Herald, 25 August, p14
1988  Andrew Bogle, Advance Australia Painting, (catalogue), Auckland, Auckland City Gallery,
Dan Cameron, 'Showdown at Southern Cross', - Notes on the 1988 Australian Biennale, Artlink, Adelaide, vol 8, no 3, pp 10-14
Betsy Brennan, 'AvantGaga', Vogue Living, June-July, pp 114,117-118, 152
Graham Coulter-Smith, 'Dale Frank', (interview), Eyeline, no 6, September, pp 10-11
Robert Rooney, 'Dale Frank' (review), The Weekend Australian, 14 May
Dale Frank - Trusting in the Pipe-Dream (catalogue), Melbourne, Realities Gallery, April
Dale Frank - Drawing Survey, (catalogue), Sydney, EMR Gallery in association with Mori Gallery, May
15 Years Galene Albert Baronian in I.C.C., (catalogue), Antwerp/Brussels, Galerie Albert Baronian, November pp 34-35
Jennifer McCamley, 'A Storm in a Teacup? - Dale Frank', Tension, no 14, September, pp 12-18
Arthur Mcintyre, Australian Contemporary Drawing, Boolarong Publishers, Sydney
1987  Naomi Cass (ed), What Is This Thing Called Science?, (catalogue), Melbourne, The University Gallery
Daniela Salvioni, 'Combustible Demarcations: The Art of Dale Frank', in Tony Bond (ed), The Australian Bicentennial Perspecta, (catalogue), Sydney, Art Gallery of New South Wales, October, pp 28-35
Dale Frank, (catalogue), Realities Gallery, June
Luisa Somaini 'tuttoarte' La Re ublica Milan, 16 January
Gian Petro Vincenzo, 'Neo Geo", Per Lui Vogue, Milan, 16 January
Arturo Carlo Quintavalle, 'Dale Frank: Quadri come apparizioni' (review), Panorama, March, p 26
Adriano Antolini, 'E l'arte trovo casa a Milano', II Giornale Nuovo, Milan, 8 February
Luciano Caprile, 'Da Schlichter a Frank e Pardi' (review), II Sole 24 Ore, Milan, 8 February
Giancinto di Pietrantonio, 'Dale Frank/Alfredo Pirri', (review), Flash Art, (ltalia), Milan, March, pp 50-51
'Thronging the Canvases', Follow Me, Sydney, August, p 140
Pamela Hansford, 'Dale Frank', Art and Australia, vol 25, no 2, Summer, pp 240-243
Terry Smith, 'Frank Explores the Heights of Bad Taste', (review), Times on Sunday, 11 October, p 30
Elwyn Lynn, 'From The Hall of Fame...', (review), The Weekend Australian, 10 October
Robert Rooney, 'A return to Cosmic abstraction' (review), The Weekend Australian, 27 June
Shona Martyn, 'Why Dale Frank can buy Gaultier', Vogue Australia, no 4, April, p 101
Robert Rooney, 'Marvelling at this thing called science', (review), Weekend Australian, Sydney, 5 December
Dale Frank, 'The Story of a Crime - for Want of a Better Title', (unpublished manuscript) Murrurundi, March, pp 1-16
1986  Gregorio Magnani, 'Dale Frank', (review), Flash Art, (International), no 126, Milano, February, pp 60-61
Gregorio Magnani, 'Dale Frank', (interview), Westuff, no 3, Florence, March, pp 16-17
Pier Luigi Tazzi, 'Dale Frank', (review), Artforum, vol 24, no 8, New York, April, pp 118
Timothy Morrell, 'Big Drawings', Art and Australia, vol 23, no 3, March, p366
Francesco Alfano Miglietti, 'Che Tempo Fara?', Flash Art (ltalia), no 133,April, pp 72-73
Paul Groot, 'Die Malerei im Dienste eines anatomisdhen Projects. Einige
Bermerkungen zum junger europaischer Maler', in Europe-America: 1940 to the Present, (catalogue), Cologne, Museum Ludwig, September, pp 407-418
3rd International Tnennale der Zeichnung, (catalogue), Nurnberg, Nationalmuseum Nurnberg
Leo Loomans, Dale Frank (unpublished interview for undergraduate history thesis),
Hannah Fink, 'Art Stars: Dale Frank', X-Press, Sydney, vol 1, no 6, December, p 12
Ted Gott, Backlash: The Australian Drawing Revival 1976-1986 (catalogue), Melbourne, National Gallery of Victoria, pp 38-41,83,95
1985  Helena Kontova 'Dale Frank' (interview), Flash Art (International), no 120, Milan, January, p 70-71
Michael Kohn, 'Dale Frank' (review), Flash Art (International), no 120 January, p 43-44
Paul Groot, Dale Frank, (catalogue) 9e Foire d'Art Actual, (Galerie Albert Baronian) Palais Des Beaux-Arts Brussels, January
Gerrit Henry, 'Dale Frank' (review), Art in America, 1985, no 2, New York, February, p 140-141
Paul Groot, De Surrealistiche Variaties van Dale Frank, Museumiournal, no 1, Amsterdam, March, p 49
Dale Frank', Artists Pages, Museumiournal, 1985, no 1, Amsterdam, March, p 50-51
Donald B. Kuspit, 'Australian Visions at the Guggenheim' (review), Art in America, no 3, New York, March, p 153-154
Angela Vettasi, 'Europe and America: Two Aspects of the New Surreal', Flash Art (International), no 122, Milan, May, pp 20-2 1
Paul Groot, 'Cover/Doppelganger' (catalogue), Aorta, Amsterdam, May, p 95
Arthur Mcintyre, 'Freudian Imagery Abounds, (review), The Age, Melbourne, 25 May, p 44
Elwyn Lynn, 'View of Chaos, Malignity', (review), Weekend Australian, Sydney, May 25, pp Review 14
Achille Bonito Oliva, Nuove Trame Dell'Arte, (catalogue), Castello Gennazzano, Italy, July, pp 68-69
Antonio d'Avossa, 'Le trame del Castello', Flash Art (ltalia), no 128, Milan, summer, pp 62-63
Helena Kontova and Giancarlo Politi, 'From New York with Love', Flash Art, no 123, Milan,summer, pp 46-47 (reprinted, Flash Art ltalia), no 128, Milan, summer, pp 26-27
Lucia Spadano and Achille Bonito Oliva, 'Nuove Trame Dell'Arte', Segno, no 47, Rome, June, p 8-15
Ashley Crawford, 'Dale Frank: Dionysus verses Apollo', Stilletto, no 24, Melbourne, June, p 4
Alida Militello, 'Tanti Modi Di Essere Blouson', EpocaModa, no 11, Verona, October, p 66-67
Silvia Zangheri, 'Espressione, Spirito Selvaggio e neoprimitivo',
(catalogue), Anniottanta, (Flavio Caroli and Renalto Barilli), Bologna, July, pp 163-169, 195-196, 223
Lucia Spadano, 'Fall Out', Secino, no 48, Rome, September, pp 30-32
Gregorio Magnani, 'Dale Frank' (review), Flash Art (ltalia), no 130, Milano, December, p 46
Francesca Alfano Miglietti, 'Provisioni de Tempo', Flash Art (ltalia), no 130, Milano, December, pp 662-64
Megan Cronly, 'Mastering the Art', Follow Me, no 19, Sydney, October, pp 136-141
Rondo, (catalogue), Antichi Arsenali, Amalfi, December, pp 50-51, 90-91
Camille Sbrissa, 'Milan', Artline, London, vol 2, no 10, winter, p 18
Peter Haynes, Dale Frank, (catalogue), Canberra, Canberra School of Art Gallery
'Bold and Provocative' (review), Canberra Times, 18 June
Paul Goodwin, 'Dale Frank' (review), Flash Art, (Italian edition), Milan, no 126, January
John McDonald, 'Dale Frank/Mike Parr, Art Network, Sydney, no 17, Spring, p 53
Terence Maloon, "Australia, emotionally unbuttoned', Sydney Morning Herald, 16 March
 Ronald Miller, 'Neurotic vision fits the bill', The Herald,Melbourne, 20 June
Giulio Ciavoliello, 'Dale Frank', Juliet, Trieste, no 23, December,p 9
Paul Groot, 'Dale Frank: With the eye if you are quick enough to turn on the light you can see what the dark looks like', Art and Text, Melbourne, no 17, April 1985, pp 29-30, 81-83
1984  Cathy Peake, 'Tiber to Lilliput - and back again', (review) Sydney, The Financial Review, 29 June
Arthur Mcintyre,' Slow down, young man', (review), The Age, Melbourne, 10 July
Gertrude Langer, 'Young Artists Images, Eerie, Disturbing' (review), The Courier Mail, Brisbane, 19 September
Grant Hannan, 'Effective, original' (review), The Herald, Melbourne, 16 August, p 26
Robert Rooney, 'Bygone era meets "new wave"' (review), The Weekend Australian, Sydney, Magazine 13, 11 August
Vivienne Shark LeWitt, 'The End of Civilization Part II: Love Among the Ruins', Art and Text, Melbourne, no 10, Winter 1984, pp 1-6 Gallery of South Australia, pp 17, 53, 93
Sue Cramer, 'A change of place, a change of meaning', (review), The Age, Melbourne, 17 August
Eric Gibson, 'Australian in Manhattan', Studio International, London, no197, 1007, p 45
Stuart Morgan, The Journey from the Tiber to Lilliput and back again. Dale Frank - Death, Broadsheet, Sydney, Roslyn Oxley9 Gallery, June
Jennifer Phipps, Symbols. Emblems. Signatures: Australian Drawing 1984,
(exhibition catalogue), New Plymouth, Govett-Brewster Gallery Diane Waldman, Australian Visions: 1984 Exxon International Exhibition,
(exhibition catalogue), New York, Solomon R Guggenheim Museum, September, pp 19-20, 32-40
Susanna Short, 'Seascape surge ahead of the narrow, cosy view' (review), The Sydney Morning Herald, 29 June, p 10
Elwyn Lynn, 'Still Life:delusion to the didactic' (review), Sydney, The Weekend Australian, 28 April
Tony Bond, Form>lmagePaul Taylor, 'Tall Poppies', Art & Text, no 12-13, Melbourne, January, p 52
Sue Cramer, 'Vox Pop' (review), Art & Text, no 12-13, Melbourne, January, p136-142
Jenny Watson, 'Urgent Images', Art & Text, no 14, Melbourne, June, p 69-74
Flavio Caroli, A~erto 84: XLI La Biennale di Venezia 1984 (catalogue), Venice, June, pp 201,207
Helena Kontova, 'Dale Frank' (interview), Flash Art (Edizione ltaliana), no 122, Milan, July, (Estate), p 22-23
Flavio Caroli, 'La Biennale di Venezia' (review), Flash Art (Edizione ltaliana), no 122, Milan, July, (Estate), p 67
Judy Annear, 'Us in the U.S.', Vogue Australia, vol XXVIII, no 8, Sydney, August, pp 160-163, 193
Paul Groot, Dale Frank, (catalogue), Melbourne University Art Gallery, Melbourne, August
Memory Holloway, Recent Australian Art - An American Perspective,
(catalogue), Bleak Romantics, Solomon R. Guggenheim Museum, New York, September, pp 11-21, 32-41
Paul Groot, 'Closed Quotes' (review - Venice Biennale), Artforum, vol XXIII, no 1, New York, September, p 107
Stuart Morgan, 'Dale Frank' (review), Artforum, vol XXIII, no 2, New York, October, p 101
Paul Groot, 'Dale Frank', Artists, no 22-23, Paris, October,p 116-119
Elio Graziolo, 'Dale Frank' (review), Flash Art (International), no 11, Milan, November, p49
Ken Sofer, 'Views from DownundeF, Art News, vol 83, no 10, New York, December, p 157
1983  Sue Cramer, 'Masterpieces and Tall Poppies', (review), Art Network, Sydney, no 10, Winter, p 42
Elizabeth Cross, Figures and Face Drawn from Life, (catalogue), Melbourne, Heide Park and Art Gallery, October
Dale Frank, Punchline, Broadsheet, Sydney, Roslyn OxIey9 Gallery, Sydney, August
Bernice Murphy, Australian Perspecta 1983, (catalogue),Sydney, Art Gallery of New South Wales, May, p 44
Jennifer Phipps, 'Paintings', in Leon Paroisseien (ed), Australian Art Review 2, Melbourne, Warner Association, pp 74-81
Tim McLauchlan, 'The Art Market in 1982', in Leon Paroisien (edit) Australian Art Review 2, Melbourne, Warner Association, pp 122-125
Robert Rooney, 'Taylor Made to Fit a Theory', The Australian, Sydney, 14 May
Michael Spens, 'Austraian Art Beyond the Cringe', Studio International, London, vol 196, no 1002, pp 13-15
Paul Taylor, 'Arts News: Artists in Paris', Vogue Australia, Sydney, October
Bernice Murphy, 'Recent Painting in Australia', Flash Art, no 110, Milan,February, p 56-59
Helen Kontova, 'Anselm Kiefer, Thomas Lawson, Dale Frank' in Achille BonitoOliva (ed), Critica ad Arte: Panorama della Post - Critica (catalogue) Musei Palazzo Lanfranchi, Pisa, Italy, March, p 138-142
Paul Taylor, Tall Poppies, (catalogue), Melbourne University Gallery,Melbourne, April
Mathew Collings 'Place at Gimpel FiIs' (review), Artscribe, London, no 42,September, p 61-62
Helen Kontova, 'La Peinture issue de Ia performance', Flash Art (editionFrancaise) no 1, Milan, Autumn, p 12-17
C. Galantai, 'New Painting', Artpool, no 3, Budapest, Winter
Leon Paroissien and Suzanne Page, D'un Autre Continent: L'Australia'
(catalogue), Musee d'Arte Modern de Ia Ville de Paris, September, pp 25,27,29-107
Ashley Crawford, 'Dale Frank', Tension, no 2, Melbourne, October, p 28-30
Michael Spens 'Dream and Reality', Studio International, vol 196, no 1002, London, November, p 13-14
William Wright, 'Australian Perspecta', Studio International, vol 196, no1002, London, November, p 36-39
Paul Groot, The Divine Comedy, (catalogue), Rotterdamse Kunststichting,Rotterdam, October
Peter Haynes, 'ACT 3: Ten Performance Artists', Australian Art Review, no 2, Sydney, p 49-54
Robert Rooney, 'Tall Poppies', (review), Flash Art, no 115, Milan, November, p 74
1982  Wystan Curnow, 'Christchurch ANZART', (review), Artforum, New York, April
Terence Maloon, 'Dale Frank rides the crest of a wave like an experienced surfer', The Sydney Morning Herald, 4 September
Bernice Murphy, 'Some Recent Painting in Australia', in Achille Bonito Oliva (edit), Transavantaarde International, Milan, Giarncarlo Politi, p275
Roberto Daolio, 'Dale Frank, Artista', Lapis Arte, Salerno, June pp 8-10
Bari Expo Arte, Art Fair (review), Domus, Milan, no 629, June, p 74
Helena Kontova 'From Performance to Painting', Flash Art, no 106, Milan,February, p 16-21
Mike Parr 'Vision in Disbelief, 4th Biennale of Sydney', (review), FlashArt, no 108, Milan, June, p 71-72
William Wright, Vision in Disbelief, 4th Biennale of Sydney, (catalogue) Art Gallery of New South Wales, Sydney
Marcia Tucker 'An Iconography of Recent Figurative Painting: Sex, Death, Violence and the Apocalypse', Artforum, Vol )(X, no 10, New York, June
Roberto Daolia, 'Dale Frank Artiste', Lapis Arte, Salerno (Italy), June, p 8-9
Editorial, Review of Ban Expo Arts, Domus, no 629, Milan, p 74, June
Mike Parr, 'Glossolalia/Stroke: the Art of Dale Frank', AsDect, Sydney, Spring, p 60-63